The entertainment and arts world—once a place where timeless stories, beauty, and moral struggles shaped culture—has become a tool for social engineering. From the rise of anti-heroes to the aggressive promotion of sexual deviance and gender confusion, the industry has morphed into a propaganda machine for the progressive Left. This transformation wasn’t accidental; it was intentional, calculated, and ideological.
In this post, we will trace how Neo-Marxist ideas invaded Hollywood, television, music, and the fine arts, identify the leaders of the movement, explore their tactics and underlying worldview, and offer a Christian and conservative strategy to restore cultural sanity.
Core Concepts and Definitions
Cultural Subversion: The deliberate effort to erode the values, beliefs, and institutions of a society from within, often through art, media, and entertainment, replacing them with ideologies hostile to traditional norms.
Liberating Tolerance: Coined by Frankfurt School philosopher Herbert Marcuse, this concept argues that tolerance should be extended only to progressive ideas, while conservative, Christian, or traditional views must be suppressed or “canceled.”
Narrative Activism: The strategic use of storytelling (in film, music, literature, or visual arts) to normalize radical ideologies, including gender theory, racial grievance politics, and moral relativism.
The Purpose of the Arts in a Woke Framework
In the Neo-Marxist model, entertainment and art are not neutral—they are weapons. The goal is not merely to amuse but to shape consciousness. The industry seeks to:
- Normalize revolutionary values, such as sexual liberation, class struggle, and racial resentment.
- Desacralize traditional virtues like chastity, family loyalty, patriotism, and religious faith.
- Condition the public to view traditional moral norms as outdated or oppressive.
Entertainment and the arts are uniquely powerful because they bypass rational critique and engage the imagination and emotions. The Left understands this better than conservatives ever have. As a result, the cultural battlefield has largely been surrendered without a fight—until now.
Historical Timeline: From Hollywood Blacklist to Netflix
1950s–1960s: Leftist Infiltration Post-Blacklist
After the House Un-American Activities Committee exposed Communist sympathizers in Hollywood, there was a temporary purge of openly Marxist screenwriters and directors. But the ideology wasn’t dead—it went underground. Many in the arts saw McCarthyism not as a defensive measure against subversion but as an oppressive, reactionary witch hunt. The seeds of rebellion were planted, and Leftist ideas began reemerging in new forms—especially through subtext and symbolism.
1970s–1990s: Sexual Revolution on Screen
The collapse of the Hays Code, a set of moral guidelines that governed the production of most U.S. motion pictures from 1934 to 1968, opened the floodgates for radical cultural expression in film. Officially called the Motion Picture Production Code, the Hays Code prohibited the depiction of profanity, nudity, miscegenation, drug use, and ridicule of religion, and mandated that sin and immorality should never be portrayed in a way that elicited sympathy. It was originally adopted in response to public outcry over scandalous content and the fear that Hollywood could corrupt American morals.
By the late 1960s, however, the Code was abandoned in favor of the MPAA ratings system, which provided age-based content warnings but no moral constraints. This allowed filmmakers to explore—and exploit—taboo subjects in the name of “free expression.” The result was a torrent of sexual content, moral ambiguity, and anti-hero storytelling. Films glorified crime (e.g., The Godfather), casual sex (Last Tango in Paris), and nihilism (Taxi Driver, Natural Born Killers). The visual arts echoed this trend, abandoning beauty for shock, often blending nudity, blasphemy, and gore. The reins of moral responsibility were dropped, and a new era of cultural transgression began in earnest.
2000s–2020s: Woke Activism Becomes Mainstream
With the rise of digital platforms—Netflix, Amazon, Hulu—content creation exploded. No longer bound by mainstream box office pressures, creators pushed boundaries even further. The LGBTQ+ agenda found its voice in shows like Sex Education, Orange Is the New Black, and children’s programming (She-Ra, Steven Universe). Intersectionality was baked into every script, elevating victimhood and rebellion while vilifying patriarchy, whiteness, capitalism, and Christianity.
Leading Figures and Institutions
Herbert Marcuse – The godfather of cultural Marxism in the arts. Marcuse taught that traditional culture represses desire and freedom. In Eros and Civilization, he calls for the liberation of eros (sexual instinct) as a path to social revolution. His doctrine of liberating tolerance advocated censorship of conservative speech while promoting progressive voices. His ideas directly shaped the counterculture of the 1960s and the ideological mindset of later filmmakers and artists.
Hollywood Studios and Production Houses – Once cautiously centrist, studios like Warner Bros., Disney, and Universal now aggressively push leftist narratives. Disney, once known for family values, now inserts LGBTQ+ themes even into children’s films (Lightyear, Strange World, etc.).
Netflix and Streaming Giants – These platforms bypass traditional ratings and promote unfiltered progressive content. Netflix in particular has become a launchpad for ideological programming: race-based docuseries (13th), transgender normalization (Disclosure, The Danish Girl), and anti-Christian messaging (The First Temptation of Christ).
Awards Bodies and Critics – Institutions like the Academy Awards, Cannes, and the Emmys reward woke narratives over artistic excellence. Films that check diversity boxes are lauded, even if they flop with audiences.
Celebrity Activists – Figures like Mark Ruffalo, Alyssa Milano, and Lena Dunham use their fame to amplify progressive causes. Musicians like Beyoncé and Billie Eilish fuse entertainment with ideology, promoting feminism, gender fluidity, and anti-capitalism.
Principles and Tactics Specialized by the Institution
- Promote Anti-Heroes and Moral Ambiguity
Good and evil are blurred. Villains are humanized while traditional heroes are deconstructed (e.g., Luke Skywalker in The Last Jedi). This undermines moral clarity. - Normalize Sexual Deviance
Polyamory, homosexuality, transgenderism, and pornography are not only depicted but celebrated. The goal is to desensitize and eventually recruit audiences into acceptance. - Subvert Family and Faith
Fathers are ridiculed, mothers are reimagined as militant feminists, and clergy are corrupt or hypocritical. Religious symbols are often inverted, desecrated, or mocked. - Glorify Victimhood and Rebellion
“Oppressed” groups are always morally superior, regardless of behavior. Resisting authority (even lawfully constituted authority) is portrayed as virtue. - Hijack Art for Propaganda
Paintings, music, sculpture, and theater are not judged by beauty or truth, but by ideological conformity—how well they serve “social justice.”
How to Fight Back: A Conservative and Christian Game Plan
- Create Parallel Institutions We need Christian and conservative alternatives to Hollywood and the arts. Angel Studios and The Chosen are promising starts. Invest in platforms that reward virtue, not vice. Writers, musicians, and artists must form guilds and collectives that uphold truth, beauty, and goodness.
- Reclaim Storytelling Conservatives must engage in narrative activism of their own. Tell stories of sacrifice, honor, redemption, and truth. Promote films and art that present biblical values and moral clarity, not as propaganda, but as beautiful, truthful expressions of human experience.
- Expose the Ideology Behind the Art Parents and pastors must learn to discern the worldview behind entertainment. Teach children and teens how to critique music, movies, and shows from a biblical perspective. Show them that “representation” often means manipulation.
- Support Artists of Conviction Patronize artists, musicians, and filmmakers who resist woke ideology. Promote them on social media. Buy their work. Encourage your church to host art and music nights centered on virtue and beauty.
- Call Out Hypocrisy and Bias When woke art platforms claim to be “inclusive,” but silence Christian voices, document it. Publicly challenge award shows, museums, and streaming services for their double standards.
- Teach the True Purpose of Art According to Scripture, art is a gift from God meant to glorify Him and reflect truth and beauty (Exodus 31:1–6; Philippians 4:8). Return to this vision in schools, churches, and private studios.
Conclusion
The entertainment and arts industry has been hijacked by a worldview that despises God, truth, and natural order. It glorifies rebellion, celebrates sin, and erodes the conscience. But Christians and conservatives are not helpless. We were made in the image of a creative God. We must resist cultural subversion not only with criticism but with creation.
Now is the time to reclaim the arts—not just for ourselves, but for the generations to come. Through beauty, storytelling, and conviction, we can help turn the tide from wokeness to wisdom.
S.D.G.,
Robert Sparkman
rob@basedchristianity.org
RELATED CONTENT
Concerning the Related Content section, I encourage everyone to evaluate the content carefully.
I think the content is worthwhile, but it may contain opinions or language I don’t agree with.
Realize that I sometimes use phrases like “trans man”, “trans woman”, “transgender” or similar language for ease of communication. Obviously, as a conservative Christian, I don’t believe anyone has ever become the opposite sex.
Feel free to offer your comments below. Respectful comments without expletives and personal attacks will be posted and I will respond to them.
Comments are closed after sixty days due to spamming issues from internet bots. You can always send me an email at rob@basedchristianity.org if you want to comment on something afterwards, though.
I will continue to add videos and other items to the Related Content section as opportunities present themselves.